Damien Hirst is the enfant terrible of contemporary art. He always manages to surprise us, but he also asks us some questions, for example on life and death, on what is moral or on the value of art. With his new initiative, The Currency (23 September -30 October at Newport Street Gallery in London), Hirst provokes us once again.

The exhibition Future Shock was a journey through fourteen video, multimedia or sonic installations (or all of them together). The installations were of variable quality. A bunch of them was really remarkable and, among them, there is one that moved me: it is Vigil, by Caterina Barbieri and Ruben Spini.